Skip to main content
Skip to main menu Skip to spotlight region Skip to secondary region Skip to UGA region Skip to Tertiary region Skip to Quaternary region Skip to unit footer

Slideshow

“Susanne Langer's Aesthetics of Consciousness”--Robert Hopkins (New York University)

Robert Hopkins (NYU)
-
115 Peabody Hall
Robert Hopkins
Department of Philosophy
New York University

To engage with something aesthetically you must be conscious of it. But can consciousness itself be an object of aesthetic appreciation? Is consciousness aesthetically interesting? If it is, there may be room for a theory of how this can be: of what is interesting about consciousness (or some particular form of it), from an aesthetic point of view; and what our relations to it must be for us to engage with it. Such would be an ‘aesthetics of consciousness’. 

I argue that such a theory is already available, in the work of Susanne Langer. Langer’s account is primarily a theory of art. She tells us both what makes something art, and what differentiates its various forms: what each art form has to offer that is distinctively its own. Langer takes the defining feature of art to be that it articulates for us the nature of various conscious states, and perhaps that of consciousness itself. This is art’s mission, and to appreciate art, as art, is to appreciate it as articulating forms of consciousness. But, more than this, it will emerge that on Langer’s view, to appreciate a work of art is to appreciate the conscious states it expresses. Her view thus tells us both that it is indeed possible for those states to be objects of aesthetic engagement; and how this can be. It thereby offers us at least a good part of an aesthetics of consciousness.

Rob Hopkins works mostly in the philosophy of mind and aesthetics. He recently completed a book on the sensory imagination entitled The Profile of Imagining (OUP 2024). Previously, he’s published on pictorial representation and picture perception (the subject of a book, Picture, Image and Experience (1998),  on other topics central to the philosophy of the visual arts, including the aesthetics of sculpture, photography, painting and film; and on the epistemology and metaphysical status of aesthetic and moral judgement. His work has appeared in various journals, including Mind, Philosophy and Phenomenological Research, Nous, Journal of Philosophy and Philosophical Review.

Support Philosophy at UGA

The Department of Philosophy appreciates your financial support. Your gift is important to us and helps support critical opportunities for students and faculty alike, including lectures, travel support, and any number of educational events that augment the classroom experience. Click here to learn more.

EVERY DOLLAR CONTRIBUTED TO THE DEPARTMENT HAS A DIRECT IMPACT ON OUR STUDENTS AND FACULTY.